Tommy and Fran were writing together at what was to become Fran's modus operandi ....a furious pace. In 1956 Tommy went to Chicago to record an album of their songs 'A Wolf At Your Door' and soon after a musical began to emerge. The Nervous Set began life at the now flourishing Crystal Palace cabaret theatre. Fran Landesman wrote the lyrics, Tommy Wolf wrote the music and Jay Landesman wrote the book based on his experiences as publisher of Neurotica magazine. A wicked satire on the beat generation the show included and embarrassment of riches in the song department.... Spring Can Really Hang you Up The Most, The Ballad of the Sad Young Men, Night People, How Do You Like Your Love and many more. The show's success with St Louis audiences soon attracted the attention of New York producers and the The Nervous Set opened on broadway in 1959.

Tommy Wolf lead the on-stage band and the cast included Del Close and a young Larry Hagman playing a character based on Jay's old friend and associate Jack Kerouac. The critics acknowledged the emergence of a powerful new songwriting team but on the whole remained luke warm and in some cases downright hostile to the show, however audiences including some of New York showbiz alumni (Richard Rogers for one) gave their blessing to what everyone assumed to be the first flowering of great new partnership in the history of American music theatre.

Tommy Wolf had by this time left St Louis to begin establishing a career on the West Coast. When The Nervous Set closed on broadway Tommy, Fran and Jay set to work on what they were to regard as their greatest show , a collaboration with Neson Algren on a musical adaptation of his novel A Walk On The Wild Side. Tommy Wolf had met actor /singer /musician Bob Dorough in Chicago and brought him to St Louis to play the lead in the show which was set in a whorehouse and involved sex, death and suicide.....unfortunately it appears that St. Louis audiences in 1960 had not been quite ready for such a radical departure from the showbiz norm and Fran and Jay reluctantly closed the show so that the actors wouldn't have to suffer the nightly indignity of leaving the stage to the sound of their own footsteps.

The Crystal Palace had ,by this time, expanded from a bar into a full scale cabaret theatre. Apart from the Nervous Set and A Walk On The Wild Side Jay presented many ground breaking theatre shows including the first production in the Mid West of Waiting For Godot. However it was as a cabaret venue that Crystal Palace is best remembered. Acts that got an early airing on the club's stage include Barbara Streisand, Woody Allen, Nichols and May, the Smothers Brothers and Phillis Diller, Lenny Bruce was a regular performer and became quite close to Fran
"Jay's a bit in-bred "he is purported to have said "let's you and me go on the road and send him a little money every month."

As the '60s got going so Gaslight Square , the area that The Crystal Palace had rejuvenated, began to go down hill. Strip joints opened and worse still bars began presenting dixiland jazz. Jay decided it was time to move on and that the only answer was for them to move to a remote Greek island. Fran didn't quite see it this way... she was making headway in New York City writing songs with the great composer and academic Alec Wilder, Spring Can Really Hang You Up The Most had become a jazz standard (without ever being a hit) and was being covered by , amongst others, Ella Fitzgerald, Sarah Vaughn, Carmen McCrae, Mabel Mercer and Barbara Streisand. Fran had started writing songs with Bob Dorough and in 1964 Miles Davis and Gil Evans recorded Nothing Like You with Dorough singing ...a cut that was to appear years later at the end of the classic 1967 Miles Davis album Sorcerer. Jay persisted in his attempts to persuade Fran to move to some mythical island ...she finally conceded defeat but said it would have to include a large English speaking city. So it was that in 1964 the Landemans ...Fran, Jay and their two sons Cosmo and Miles, moved to Duncan Terrace in Islington, North London, a street which was to remain their home for the rest of the 20th century.

The Landesmans arrived in Britain knowing only one Londoner, Peter Cook who they had met in New York after his triumphant Broadway version of Beyond The Fringe. He quickly introduced them to many of his his friends (including the Beatles) and Fran remembers a moment, soon after they arrived, when she realised they had made the right decision in moving to London ...it was during a dinner party where she was sandwiched between Bernard Levin and Malcolm Muggerige who were discussing 'was Shakespeare an atheist ? '.In 1964London was in full swing , Jay was in his mid 40s and Fran in her late 30s....not to old in their books to join in with the decade of love and peace . Years later their eldest son Cosmo wrote this description of life in the Landesman household circa 1969..

"...Getting married, having children was their one attempt to live conventionally....It didn't last. They soon abandoned the straight and narrow for the crooked and the carefree. By the time Flower Power came around, they were in the twilight world of middle-age. Their hair became longer, their dress became wilder, the drugs got stronger and marriage became more experimental. I tried to get them to stay at home more instead of rushing round to pop festivals....and I warned them about the friends they ran around with. The thing that upset me most was their dress and appearance. I can remember when I first thought of having them committed to the Institute for the Criminally Dressed. It was Parents' Day at school. They arrived looking like two hippies who had failed the audition for the musical Hair. Mother wore a purple Afgan coat, that from a distance looked like a seasick piece of mutton. She was wearing enough bits of glass beads and jewellery to resemble Brighton beach after a bank holiday rumble. Dad came with his long hair, mirror-lens sun glasses: the piece de resistance of this visual cacophony was not the orange rudiments of a shirt, but the black plastic trousers. In those days the only people who wore them were industrial workers and the insane. My classmates stared in disbelief as I shrivelled in horror." Cosmo Landesman

Somehow or other Fran, Jay and even Cosmo managed to survive the swinging 60s.. possibly helped by Jay's evangelical commitment to macrobiotics. In the 70s , initially at the suggestion of legendary New York bar owner Bradley Cunningham Fran started publishing her work in the form of books of verse which Jay published. She met performance poet Michael Horowitz and began to develop her skills as a performer. Fran also continued to write songs with composers on both sides of the Atlantic including Dudley Moore, Tom Springfield, Pat Smythe and Georgie Fame in the UK and John Simon, Bob Dorough, Steve Allen, Roy Krall and Jason Mculiffe in the USA.

Her reputation grew helped by continued recordings of her work with Tommy Wolf. Roberta Flack, Ricki Lee Jones, Gil Evans and Keith Jarrett all recorded The Ballad of the Sad Young Men while Spring Can Really Hang You Up The Most continued to be a much sung, much recorded and much requested jazz standard. Tommy Wolf had gone on to a very successful career in Hollywood where he had been musical director for TV shows like The Mary Tyler Moore Show, piano player to the stars (including Marilyn Monroe) and had continued to write songs with Fran, Fred Astaire and others. Sadly in 1978 he died aged only 54.

Fran began performing her own material in theatre shows at venues such as Islington's Kings Head and Red Lion pub theatres and in the West End at the Arts Theatre and for two seasons at Ronnie Scotts Jazz Club. With the birth of her grandson Jack in 1988 she began devoting herself to the role of 'Granny Franny' ...however as Jack began to grow up so Fran's urge to write started to return.In 1994 she met British pianist and composer Simon Wallace and immediately launched into a burst of creative activity that has produced (so far) a catalogue of more than 150 new songs, three new collections of poetry and a full blown musical.

Simon Wallace was born in Wales in 1957. He studied music at University College Oxford before embarking on a diverse career as a jazz pianist and a composer in many parts of the world. When he first met Fran Landesman he was recovering from three years touring with the Lindsay Kemp Company and was writing music for TV comedy shows including Absolutely Fabulous, Ruby Wax, Alexie Sayle, Murder Most Horrid (Dawn French) and Tracey Ullman. As well as composing for TV, film and theatre he has written two large scale symphonies for the Bangkok Symphony Orchestra. Fran and Simon's songs are now beginning to attract attention on both sides of the Atlantic thanks to recordings and performances by singers such as Nicki Leighton-Thomas, Ian Shaw, Sarah Moule, Susannah McCorkle and Imelda Staunton.

There have been productions of their musical Forbidden Games at the Young Vic (RSC) , the Theatre Royal Bath, the Pleasance (1998 Edinburgh Festival) and in Poland at the 1999 Gdansk Shakespeare Festival. Their songs have been included in shows and revues on both sides of the Atlantic.... 6 songs in The Decline of the Middle West (a retrospective of Fran's work) at The Supper Club off Broadway , two songs in Susannah McCorkle's 1999 show at the Algonquin NYC From Broken Hearts To Blue Skys, one in Imelda Staunton's 1999 New York Cabaret debut at The Firebird, another in a show by ENO opera star Sally Burgess and another in a review at the Lyric Theatre Hammersmith sung by Shelia Hanncock.

Their songs make up a large part of Howard Samuel's cabaret show and feature in the set and recordings of singer Johnathan Cairny (1999 Perrier Young Jazz Musician). Nicki Leighton -Thomas' CD of their songs Forbidden Games received rave reviews in 1998 and is to be re- released this autumn. Sarah Moule is currently recording a CD of their songs which will be released at the end of 2000. The title track of the new, highly acclaimed Ian Shaw /Cedar Walton CD is a Landesman/Wallace song In A New York Minute...the CD ( on Fantasy Records) is currently riding high in the US jazz charts and a follow up CD featuring more Landesman/Wallace material is being recorded in October 2000. In February 4 of their songs were included in the annual Songbook concert at the Wigmore Hall and in March 2000 12 of their songs were presented at The National Theatre in a cabaret show directed by Henry Goodman. Later this year a studio production at the NT directed by Richard Eyre also features one of their songs. Grammy nominated American jazz singer Susannah McCorkle has included recorded three of their songs on her recently released CD Hearts and Minds (Concord Records).